Audiority Big Goat v1.0.1 VST AU AAX MAC/WiN



MAC - 44 MB | WiN - 31 MB
WORKiNG AAX (UNMODiFiED)

Big Goat is an analog modeled simulation of one of the greatest fuzzbox ever made in the mid ‘70s and used in countless records.

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Audiority The Abuser v1.5.1 VST VST3 AU AAX MAC/WiN



MAC x64 - 33 MB | WiN x64 - 32 MB
WORKiNG AAX (UNMODiFiED)

The Abuser is an aggressive distortion effect ideal to give you a unique sound to your guitars, bass, synthesizers, drums and much more. We programmed a rich sounding distortion to fit in both vintage and modern music styles.

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Links update: 27/07/2020

TS-1 is a multimode frequency dependent transient shaper designed to manage the attack and sustain of an incoming audio signal. Thanks to our “Compression by Saturation” concept, TS-1 works great to add warmth and punch to your drum tracks without losing dynamics.

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Audiority GrainSpace v2.0 VST AU AAX MAC/WiN



MAC - 106 MB | WiN - 72 MB
WORKiNG AAX (UNMODiFiED)

GrainSpace is a granular processor focused on real-time granularization and reverberation of the incoming audio signal.

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Audiority Deleight v1.1.2 VST AU AAX MAC/WiN



MAC - 7 MB | WiN - 5 MB
WORKiNG AAX (UNMODiFiED)

Deleight is a stereo multi tap delay processor based on late ’90s digital delays hardware processors.

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Audiority Tube Modulator v1.1 VST AU AAX MAC/WiN



MAC - 57 MB | WiN - 40 MB
WORKiNG AAX (UNMODiFiED)

Tube Modulator is a collection of several tremolo, vibrato and spatial position effect circuits ranging from the late ‘50s tube bias tremolo to the late ‘60s psychedelic vibe pedals.

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Toontrack R&B EZkeys MiDi WiN MAC



EZkeys MiDi WiN MAC | 7.09 MB

FROM THEN TO NOW.
From the post 80s scene where it all started to the lush soul and hip-hop flavored styles of today!

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Audiority XenoVerb v1.1 VST AU AAX MAC/WiN



MAC - 48 MB | WiN - 33 MB
WORKiNG AAX (UNMODiFiED)

XenoVerb is a versatile reverb processor featuring both classic and creative reverb algorithms delivering a wide range of reverbs with a clean and simple interface.

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Toontrack Metalheads MiDi WiN MAC



MiDi WiN MAC | 9.95 MB

IT'S MESHUGGAH!
Tomas Haake goes meshuggah on an e-kit and delivers 12 classic Meshuggah songs, ready for you to drag, drop and build your own tracks from.

This MIDI pack is derived from the widely popular Metalheads EZX.

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Reveal Sound Spire v1.1.15 macOS PROPER



AU/VST | 372 MB

Spire is a software polyphonic synthesizer that combines powerful sound engine modulation and flexible architecture, a graphical interface provides unparalleled usability. Spire is the embodiment of the best opportunities, both software and hardware synthesizers.

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Check links: 02/06/2020 All links are alive!

One installer for:
ARP 2600 V3 v3.5.1
Buchla Easel V v1.5.1
CMI V v1.5.1
CS-80 V3 v3.5.1
CZ V v1.1.1
DX7 V v1.5.1
Jup-8 V3 v3.5.1
Matrix-12 V2 v2.5.1
Mini V3 v3.5.1
Modular V3 v3.5.1
Pigments v2.0.0
Prophet V3 v3.5.1
SEM V2 v2.5.1
Synclavier V v2.5.2
Synthi V v1.1.2

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Arturia Keyboards & Piano Collection 2019.12 CSE



V.R | 2.4 GB

One installer for:
B-3 V2 v2.1.1
Clavinet V v1.5.1
Farfisa V v1.5.1
Mellotron V v1.1.1
Piano V2 v2.5.1
Solina V2 v2.5.1
Stage-73 V v1.5.1
VOX Continental V2 v2.5.1
Wurli V2 v2.5.1

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Toontrack Rock Solid MiDi WiN MAC



MiDi WiN MAC | 9.80 MB

SOLID ROCK DRUMS.
The groove is what matters in the end. That's where the focus lies here – on basic, solid, rock drums.

This MIDI pack comes from the Rock Solid EZX and features former Nickelback drummer Ryan Vikedal. With an emphasis on mid tempo and heavy material, this pack is the perfect match for any modern rock or metal song.

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Arturia Analog Lab 4 v4.1.1.3554 CSE



V.R | 990 MB

Analog Lab gives you streamlined access to 6500+ of the hottest presets from our award-winning V Collection. Featuring sounds from all 21 faithfully modeled vintage keyboards, combining awe-inspiring sound with exceptional ease of use and awesome features. In addition to studying the feedback from the music community, our developers worked hand-in-hand with professional ergonomists to optimize each aspect of this music production & performance dream instrument.

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Dedicating Music, 1785-1850



English | ISBN: 1580469493 | 2019 | 260 Pages | PDF | 18 MB

A synchronic study that highlights the importance of printed packaging, rather than notes on the page, to the complex relationship between composers, publishers, and consumers of music.

Why dedicate music? What did dedications mean to their readers and writers, especially after 1785, when more works were offered to fellow composers as well as to patrons? Borrowing from book history and sociological theory, Dedicating Music, 1785-1850 is a large-scale study of patterns of dedications. Emily H. Green argues that the kinds of offerings printed in the late eighteenth through mid-nineteenth centuries reflect a changing financial and aesthetic landscape in which patronage was waning and independent artistry surging. Dedications labeled written music as a gift while presenting composers with an opportunity for self-promotion. They also contributed to a new kind of branding of music by communicating composers' friendships and artistic allegiances..

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