Links update: 30/10/2020

The Scream is an analog modeled stomp box distortion plug-in based on the classic green Tube Screamer pedal. It uses the same high quality algorithms used in circuit simulators, but optimised to run much faster, and features a gorgeous fully scalable user interface. It is a full discrete component model of the original, with modified Boyle macro modelled op-amps. All component and model values in the circuit can be edited to customise your tone. Choose LEDs or Germanium diodes to create asymmetric clipping combinations, chain any number of diodes in series or even bypass them altogether and let the op-amp do the clipping - the possibilities are endless!

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Links update: 23/08/2020

The Glue is an analog modeled compressor plug-in based on The classic 80's British big console buss compressor with some handy additional features. It uses the same high quality algorithms used in circuit simulators, but optimised to run fast, and features a gorgeous fully scalable user interface.

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Links update: 31/10/2020

The Drop is an analog modeled resonant filter plug-in based on classic analog synth filters, as well as completely new designs. It uses the same high quality algorithms used in circuit simulators, but optimised to run fast, and features a gorgeous fully scalable user interface. There is a huge level of detail in the models, which gives them amazing drive and tone. The original structure of the circuits is preserved in the model, as is the location and shape of all major non-linearities.

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Links update: 27/12/2024

BIAS AMP 2 is the ultimate virtual amp designer, authentically recreating the tone and feel of real tube amplifiers, while allowing you to mix and match components to create your ideal amp. You can use Amp Match to clone the tone of real hardware or a guitar track, or connect to the ToneCloud® to gain access to thousands of custom amps from artists and recording studios, or upload your own custom tones to the cloud.

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Links update: 29/02/2024

Designed for audio professionals, Spectre provides 20 different multi-channel and multi-trace meters including Level, VU, Spectrograph, Oscilloscope, Spectrogram, LU and LU History. With, Spectre has been rewritten from the ground up to support the latest loudness standards as well as making it even more powerful. Each meter can have any number of traces or indicators, and each trace can have it's own number of input channels, mixing, filtering, ballistics and color (including transparency). You can have as many meters (or copies of meters) as your screen will allow! Spectre also gives you very precise control over color gradients.

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Zhongbin Tian ProMV Music Video Maker v1.3.0 MacOSX



TEAM TNT | 20 May 2018 | 29.16 MB

ProMV uses a variety of visualization techniques to convert musics to videos. So you can experience the music in a new way.

ProMV is an easy-to-use music video creator, an audio visualization tool that allows you to produce great music video in a very fast way. It is very useful for people wanting to publish music on websites like youtube.

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Links update: 26/10/2022

INTRODUCING THE WORLD’S FIRST TONE MATCH MODELER - BIAS PEDAL DISTORTION
All about Fuzz, Overdrive, and Distortion.

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Links update: 12/05/2019

n-Track Studio 9 - A recording studio in your computer. Introducing n-Track Studio 9. Studio quality recording, editing and mixing software. n-Track Studio brings you professional audio quality and easy workflow.

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Rob Papen BLUE II v1.0.3 MacOSX



MacOSX VSTi/AU | TEAM HEXWARS | 15.05.2018

First released in 2005 BLUE already reflected Rob Papen’s cutting-edge, creative, and — most importantly — musical approach towards developing virtual instruments by first delivering FM and subtractive synthesis, then duly adding Phase Distortion and wave shaping synthesis into the highly creative mix to create one seriously creative combination. Rob Papen himself called it ‘Cross-fusion synthesis’ since it covered so much musical ground so effectively.

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Rob Papen RP-VERB 2 v1.0.0b MacOSX



MacOSX VST/AU | RP-VERB2 1.0.0b + RP-Delay 1.0.2a | 15.05.2018

After the original RP-VERB came out, it quickly became loved by many (famous) producers worldwide. Its dense and warm sound made it legendary and a go to reverb for many.
As usual the Rob Papen brand always seeks new directions and for many it won’t be a surprise to find some new creative tools inside RP-VERB 2!

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Rob Papen RP-EQ v1.0.0d MacOSX



MacOSX VST/AU | TEAM HEXWARS | 15.05.2018

In the virtual music world there are a countless number of different EQ’s available...so why another one?
Well, Rob Papen is all about sound and he was convinced he could add something special to the EQ plugins.

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Rob Papen RP-Distort v1.0.1g MacOSX



MacOSX VST/AU | TEAM HEXWARS | 15.05.2018

RP-Distort is not just a distortion unit, but much more. The distortion unit inside RP-Distort can be combined with an analog modelled filter, compressor and widener unit.

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Rob Papen RP-AMod v1.0.1f MacOSX



MacOSX VST/AU | TEAM HEXWARS | 15.05.2018

As you will probably know, a modulator is a term that is used in synthesizers. They are
various types of settings that can change and alter a sound. With RP-AMOD you can use
it's modulators to alter your audio in different ways.

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Rob Papen RG v1.6.2e MacOSX



MacOSX VSTi/AU | HEXWARS | 15.05.2018

RG is a unique groove plug-in that is far more than just a virtual Rhythm Guitar player! By using the RG onboard sequencer it is possible to create classic Rhythm Guitar grooves, but beyond that you can use the synthesizer features and effects to make fresh new edgy guitar grooves. To play the grooves RG is using a keyboard layout of "major chords" and "minor chords", each with two sequence patterns (A or  B) option.

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Rob Papen Blade v1.0.3d MacOSX



15.05.2018 | AU/VSTi | TEAM HEXWARS 2018

The initial idea for Blade was born out of the want to have more ‘human input’ into the sound. The classic synthesizer parts for modulation are LFOs and Envelopes. The ‘human input’ is the keyboard we play and controllers like pitch bend or modulation wheel. A XY pad is perfect for the human input, but it controls only the filter and volume... We found this to be too limited. We wanted also to control the ‘harmonics’ of the oscillator...changing the waveform using the XY pad.

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