Links update: 07/08/2020
How to Harmonize Melodies with Chords, Bass Lines, Cadences, and Phrasing
Master college-level Music Theory Class
Compose music in the style of Bach and other Baroque composers
Compose music in the style of many 18th Century Composers
Create more emotional music using suspensions, resolutions, and non-chord tones effectively.
This class is Part 7: Harmonization, and it continues what would be the second semester of a college music theory class (according to the typical American academic system for learning music theory).
Throughout this class, I'll be providing you with many worksheets for you to practice the concepts on. If you get stuck, you can review the videos or post a question, and I'll back to it as fast as possible. Also in this class I have several complete analysis projects that we will complete together - just like in my college classes.
In this class, we will cover:
Tools of Counterpoint
How Inversion Names Work
7th Chord Inversion Names
The Chordal 7th
Root Position V7 - I Resolutions in SATB Voicing
Inversions of V7 - I Resolutions in SATB Voicing
Exceptions to Voice Leading
Doubling Concerns in 7th Chords
Figured Bass
Figured Bass and Roman Numerals
Studying with Bach
"Realizing" Figured Bass
The Pre-Dominant Phrasing Area
Moving from Root Position IV to V Without Parallels
Predominant 7th Chords
Harmonization Steps
Finding Cadences
Finding the Right Chord Progression
Finding the Right Inversions
Practicing Harmonization
Melodies for Practice
Worksheets and Music for Practice
...and much, much more!
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