Links update: 31/03/2021
Mastering 18th Century Counterpoint and SATB Composition with College-Level Music Theory
This class is Part 6: SATB Composition, and it starts what would be the second semester of a college music theory class.
Throughout this class, I'll be providing you with many worksheets for you to practice the concepts on. If you get stuck, you can review the videos or post a question, and I'll back to it as fast as possible. Also in this class I have several complete analysis projects that we will complete together - just like in my college classes.
In this class, we will cover:
My approach to Music Theory
Tools of Counterpoint
Types of Motion in Counterpoint
18th Century Counterpoint
Chordal Dissonance
Cadences in Bass/Melody Accompaniment
Cadences in 4-Voice Accompaniment
Non-Chord Tones in 4-Voice Accompaniment
Suspensions in 4-Voice Accompaniment
Example Analysis Projects
Writing 4-Voice (SATB) Lines
SATB Notation
SATB Ranges
Voice Crossings
Doubling
T-D-T Phrasing
Establishing Tonic Areas
Establishing Dominant Areas
Resolving Leading Tones (in 4-Voice Accompaniment)
Harmonic Rhythm
Texture (in Song)
Worksheets and Music for Practice
...and much, much more!
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