Reason RE Synapse Audio AF-4 Analog Filter v1.1.0



WIN | 21.29 MB

The AF-4 is a virtual-analog lowpass filter module, based on the well-known transistor ladder design. In order to obtain highest quality, this lowpass filter employs a topology-preserving, zero-delay feedback network with 4x oversampling, yielding results comparable to industrial circuit simulator.
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Uhe Twangstrom v1.0.1.12092



WIN | 25.8MB

Twangström: Shake, Rattle, and Roll
A flexible spring reverb box-of-tricks. If you're familiar with Bazille, you might already have come across its built-in spring unit. We took that one, then modelled two more reverb tanks, paired it with drive section, filter stage, envelope, and mod matrix. It emulates a hand-picked selection of the most popular units you will find in classic guitar and instrument amplifiers, recreating the odd character of real springs.
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Links update: 24/01/2023

Hive 2: Sleek, streamlined, supercharged
Hive's clear layout and easy workflow let you create stunning patches in next to no time at all. Although surprisingly CPU-friendly, Hive doesn't sacrifice flexibility or audio quality. Now packed with more controls than ever, version 2 opens up new dimensions of expression… and sheer fun!
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Uhe Bazille v1.1.2.12092



WIN | 38.9MB

Bazille: Monster from the deep
The second spawn of the Berlin Modular project, Bazille is a large polyphonic modular system with digital (PD, FM based) oscillators, multimode filters and plenty of modulation options. With so much connectivity to explore, patching in Bazille should keep you fascinated for many years – it’s definitely a “geek machine”!
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Uhe ColourCopy v1.0.1.12092



WIN | 25.0MB

Colour Copy: a bucketful of delay
A virtual analog effect inspired by classic bucket-brigade delays (BBD), but extended with modern features. We called our new baby "Colour Copy" because it can deliver the kind of colouration people still love in classic BBD units, but with a wider variety of colours. Colour Copy started life as the little delay unit called "Lyrebird" we built into Repro-1, but the sound was too good not to be developed further and become an FX plug-in.
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Uhe Satin v1.3.2.12092



WIN | 32.09 MB

We took a journey back to the Golden Age of magnetic tape recording. We wanted to recreate all kinds of tape machines in software, from the ground up. After many months spent on research, measurement and on developing an architecture that would be flexible enough for the job, we knew we had nailed it... But we couldn't stop there: We added the old noise-reduction systems that were often (mis)used for timbral compression effects. Then more heads and a global feedback path, which made an uber-tape-delay and realistic 'one-shot' tape flanging possible. Users familiar with analogue recording gear should instantly feel at home with Satin, and digital afficionados will also learn to love the magic of tape – Satin invites you to explore and find out for yourself.
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Links update: 08/01/2023

Repro-1 dives into the past for analogue inspiration, reverently modelling a classic synth. Every detail of the original was captured using component-level modelling technology to create the most authentic model possible. All the subtle characteristics and quirks found in the original are present in Repro-1.
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Uhe Presswerk v1.1.5.12092



WIN | 43.33 MB

Presswerk is a powerful dynamics processor with a musical soul. An easy-to-use interface and a rich feature set give you hands-on control over all details of your sound. Presswerk doesn't emulate famous compressors, it blends the warmth of classic hardware models with developments that are only possible in the digital domain.
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Ueberschall Elastik 3 v3.5.1 Incl Patched and Keygen



WiN | 60.6MB

Elastik 3, developed in cooperation with zplane.development, is the most powerful sample player that we have ever created. It provides a complete toolkit for modern music producers working with audio loops. Loops can be an essential part of many musicians creative process and, with Elastik, you get a fast, efficient and flexible set of tools.

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Kush Audio SILIKA v1.1.0



WIN | 66.3MB

After 9 years in the plugin game, Kush can finally say without exaggeration that, at least for one particular flavor of vintage compressors that clip beautifully, we have completely closed the Analog/Digital gap. SILIKA is not ‘close’, it’s not ‘different but just as good’. It’s ‘Sonically Identical’ to the types of hardware it’s modeled after.

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Kush Audio REDDI v1.0.3



WIN | 10.4MB

The original hardware REDDI is a legend among professional session players and commercial studio owners. Its hybrid tube/solid state gain circuits, beefy transformer, and oversized power supply have an uncanny ability to both reign in bass transients and punch them up.

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Kush Audio AR-1 v1.0.7



WIN | 31.8MB

Vintage Mu Compressor
AR-1 is a variable-mu tube compressor whose roots are in the raucous sound of the rockin’ American 50’s, yet it enjoys a posh, tea-sipping British image thanks to its use at Abbey Road Studios in late 60’s, notably on the later Beatles and earlier Pink Floyd records. Kush painstakingly captured the sweet breakup of AR-1’s beefy tubes being driven into the dirt, then added more than a half dozen significant UI and functional enhancements. The resulting emulation is every bit as chunky as the original, and 10x more flexible.

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BandLab Cakewalk v27.09.0.141 Update



MacOSX | 47.71 MB

Fueled by over 30 years in the relentless pursuit of innovation, Cakewalk by BandLab is the new standard for the modern recording studio.

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Toontrack Upright EBX v1.0.0 (SOUNDBANK)



WIN | 577.9 MB

The iconic upright bass. Welcome to the definition of a timeless tone.

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Toontrack Fretless EBX Update v1.0.1



WIN | 16.7 MB

At a glance, one wouldn’t think that removing the seemingly insignificant metal rods that separate the notes on a bass’ fretboard would open up a completely new harmonic panorama and transform it into an almost altogether new instrument. But it does, indeed. The sublime and soaring violin-like character, the near-weightless glissando, the rich, full and hearty sustain and the incredibly unique overall expressiveness are all qualities that make it utterly impossible to mistake it for a traditional bass. A subtle vibrato or just the strike of a single note gives it away.

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