VSTBuzz Cyber KONTAKT



KONTAKT | 2.48GB

CYBER is a cinematic sound design toolkit, combing sonic elements of techno music and morphing them into cinematic sounds, perfect for trailer music and sound design.

The library contains over 500 modern techno cinematic sounds including Textures, Synth Rhythms, Risers, Stingers, Glitches and more, that are ideal for adding a very unique, electronic / cinematic sound to your tracks.

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Cinematique Instruments Rytmik KONTAKT



KONTAKT | 232.86 MB

Links update: 28/05/2021

Rytmik is an inspiring beat engine that delivers a very rich and unique collection of sounds and beats for massive cinematic percussion, cue scoring, electro, hip hop or industrial. It is a great tool for instant rhythmic inspiration which provides endless flexibility to find a unique language for the music you’re writing.

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Standalone-Music Guitar Getlow Expansion



Kontakt | 856 MB

Get ready for the most ambitious GETLOW (Required) expansion to date.
Imagine having the perfect guitar sound for every occasion, no matter what genre you are producing and without having to book expensive recording sessions.

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Gio Israel Middle East Essentials Percussion WAV KONTAKT



WAV KONTAKT | 344.33 MB

Links update: 25/08/2022

The Middle East Essentials series by Gio Israel set the goal of capturing the most diverse, high-quality, and unique musical material. Making ancient music, sounds and instruments accessible through state of the art sound sampling.

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Impact Studios - The Avalanche Bass DI + Pro for Kontakt



Kontakt | 2 GB | thalldjent

THE AVALANCHE BASS is an extensively sampled, virtual bass instrument compatible with the full versions of Native Instruments' Kontakt 5.5 and above.

As our second venture into sampled bass, we honed our focus on impeccable sound quality and effortless functionality. This process was a true labor of love, with every single sample meticulously cut and edited by hand to ensure only the finest resulting quality. The result? A bass sound that's become the gold standard for modern metal.

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Sound Yeti Ambition v1.0 KONTAKT



Team DECiBEL | 4.70GB

Tell your story with sound like never before. Sound Yeti Ambition is a virtual instrument powered by the free Kontakt Player that delivers big ambient oriented sounds with a powerful and versatile synth engine. Capture breathtaking emotion and deep intensity with awe inspiring ease.

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Sampletekk 7CG MkII KONTAKT



KONTAKT - 6,38 GB

The Seven Seas Grand, 7CG, was recorded at OAL studios in Stockholm Sweden using a Yamaha C7 Grand Piano. We used a matched pair of Neumann U89 for picking up the sound of this great instrument.

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Links update: 30/12/2021

The TBO, was recorded at OAL studios in Stockholm Sweden using a Yamaha C7 Grand Piano. We used a matched pair of Neumann SM2 for picking up the sound of this great instrument.

The MkII
Since the samplers has been become more advanced and the TBO still are one of our most popular pianos, we decided to bring it up to date and add some functions in the line of the original ideas. We also added hammerback and pedalnoise samples. Then we added our True Resonance feature and used Kontakts scripting facilities to make Real Time/True Pedaling, Sympathetic Resonance and some other nifty features, and, Voila: The TBO MkII

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Sampletekk ST Clav MULTiFORMAT



KONTAKT | HALion | EXS - 3,23 GB

Hohner Clavinet D6, has for years been putting the onk in funk, but with it’s distinct timbre, unique design and great respons, it’s been a tonal tool for musicians in many genres.
I guess that one can’t talk about the Clav without mention Stevie Wonder who’s classic riffing on ”Superstition” really put the Hohner Clav on the map.
But musicians like John Paul Jones gave many Zep songs a special character using the clav, and so did Rolling Stones, Billy Preston, Steely Dan, Utopia, Fleetwood Mac, Rainbow, Utopia and many, many others.

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Sampletekk White Grand MkII KONTAKT



KONTAKT - 2,89 GB

When making the White Grand the production goal was to make a sampled Grand Piano that would work great in a mix but also deliver the dynamic response of a real piano. Using SLH, a SampleTekk developed software made it possible for us to record different velocities very precisely and from that build an instrument that delivered the same dynamic as the real thing.
When we finished the White Grand, we had a sampled piano that didn’t just work in a mix, but worked on simply anything!

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Audiofier Venkatt KONTAKT



SYNTHiC4TE | 1.8 GB

Audiofier has released VenKatt, a 20 x 4 Layers Ambient Machine for ambient/electronic productions and film scores

Venkatt offers 4 sound layers with unique features: Attack, Sustain, Reverse and Rhythmi

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Sampletekk S.S.G MULTiFORMAT



KONTAKT | HALion | EXS | SFZ - 1,74 GB

The ST SSG – Small Studio Grand is a smaller Grand Piano, (6' 1") that give a tighter, more defined sound then a larger instrument. This instrument has depth and roundness in the bass register, rich midrange and a clear, crisp treble.

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Sampletekk Rain Piano MkII KONTAKT



KONTAKT - 473 MB

The Rain Piano was recorded after some extensive Tom Waits listening. Specially the ”Mule Variation” album, (great stuff!). I fell in love with the piano sound on that record and decided to make something in that line.

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Sampletekk Tubed Keys MkI 73 KONTAKT (K5 version)



KONTAKT - 1,39 GB

When recording a Rhodes piano, nearly all, (or all?), instruments that has been recorded for a sampled instrument are lined. That means that you take the signal from the instrument, and feed it directly to the recording device.
This means that you will get a very clean, bright signal. And that is, in itself, a good thing!

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Sampletekk Singularis MULTiFORMAT



KONTAKT | HALion | EXS | SFZ - 1,99 GB

Singularis - Old School Recording Piano
In the 50’s, the recording studios weren’t what they are today.

A few microphones and few tracks on the tape machines made sessions a bit different then today’s workflow. Most of the music was recorded live with very few, if any, overdubs. This led to a way of recording that made a special sound, you can hear it on most recordings from the late 50’s through the first years of the 60’s.

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