u-he Twangstrom v1.0.1.12092 CE



WIN | 15 MB

A flexible spring reverb box-of-tricks. If you're familiar with Bazille, you might already have come across its built-in spring unit. We took that one, then modelled two more reverb tanks, paired it with drive section, filter stage, envelope, and mod matrix. It emulates a hand-picked selection of the most popular units you will find in classic guitar and instrument amplifiers, recreating the odd character of real springs.

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u-he Presswerk v1.1.5.12092 CE



WIN | 29 MB

Presswerk is a powerful dynamics processor with a musical soul. An easy-to-use interface and a rich feature set give you hands-on control over all details of your sound. Presswerk doesn't emulate famous compressors, it blends the warmth of classic hardware models with developments that are only possible in the digital domain.

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u-he Zebra v2.9.3.12092 CE



WIN | 104 MB

Zebra2 is a sound-design playground. A powerful, high quality (but still CPU friendly) sound engine together with numerous sound sculpting tools makes Zebra2 capable of a near-limitless range of new sounds and textures. A favourite amongst soundtrack composers, producers and sound designers, Zebra2 provides all the tools you need—the rest is up to you.

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Links update: 11/10/2023

Bazille: Monster from the deep.
The second spawn of the Berlin Modular project, Bazille is a large polyphonic modular system with digital (PD, FM based) oscillators, multimode filters and plenty of modulation options. With so much connectivity to explore, patching in Bazille should keep you fascinated for many years – it’s definitely a “geek machine”!

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u-he Satin v1.3.2.12092 CE



WIN | 19 MB

We took a journey back to the Golden Age of magnetic tape recording. We wanted to recreate all kinds of tape machines in software, from the ground up. After many months spent on research, measurement and on developing an architecture that would be flexible enough for the job, we knew we had nailed it... But we couldn't stop there: We added the old noise-reduction systems that were often (mis)used for timbral compression effects. Then more heads and a global feedback path, which made an uber-tape-delay and realistic 'one-shot' tape flanging possible. Users familiar with analogue recording gear should instantly feel at home with Satin, and digital afficionados will also learn to love the magic of tape – Satin invites you to explore and find out for yourself.

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u-he ColourCopy v1.0.1 CE



WIN | 15 MB

A virtual analog effect inspired by classic bucket-brigade delays (bbd), but extended with modern features. We called our new baby "Colour Copy" because it can deliver the kind of colouration people still love in classic bbd units, but with a wider variety of colours. Colour Copy started life as the little delay unit called "Lyrebird" we built into Repro-1, but the sound was too good not to be developed further and become an fx plug-in.

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u-he Repro-1 v1.1.2.12092 CE



WIN | 47 MB

Repro-1 dives into the past for analogue inspiration, reverently modelling a classic synth. Every detail of the original was captured using component-level modelling technology to create the most authentic model possible. All the subtle characteristics and quirks found in the original are present in Repro-1.

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Links update: 19/04/2023

Diva: Dinosaur Impersonating Virtual Analogue synthesizer. Diva captures the spirit of five decades of analogue synthesizers. Oscillators, filters, and envelopes from some of the greatest monophonic and polyphonic synths of yesteryear were meticulously modelled for unmatched analogue sound. Diva is more than a single synthesizer: Recreate an old favourite or mix-and-match modules to design your own unique hybrid.

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Links update: 11/10/2023

ACE belongs to a new generation of synthesizers developed with the latest, fastest computers in mind. ACE offers classic modular synthesis and more at a fraction of the cost of dedicated hardware. But like its hardware forebears, you can patch any output into any input: the number of different ways to connect modules together is practically infinite. Needless to say, you will never run out of cables!

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KORG WAVESTATION v2.2.0 Incl Keygen



WIN | 32.6MB

The WAVESTATION synthesizer appeared in 1990 with its new "advanced vector synthesis system" which produced a new sound by combining and shifting between multiple complex waveforms

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KORG TRITON Extreme v1.0.1 Incl Keygen



WIN | 379.3MB

The last masterpiece of the 20th Century, revived after 20 years.
A perfect reproduction of the TRITON workstation in software.

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KORG Prophecy v1.0.1 Incl Keygen



WIN | 27.1MB

The Revival of the 90’s Physical Modeling Sound. A Reproduction of the Prophecy in Software
In the 1990s, PCM synths were at their peak, but club scene artists were already searching for a more flexible, analog sound, hinting at the coming analog revival of the 2000s.

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KORG MS-20 v2.2.0 Incl Keygen



WIN | 13.9MB

The analog monophonic synthesizer with the potential for patching that went on sale in 1978: the MS-20.

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KORG MonoPoly v2.2.0 Incl Keygen



WIN | 18.6MB

Reborn through software. 4VCO Synthesizer Mono/Poly
The analog synthesizer Mono/Poly, which was launched at the same time as the Polysix in 1981, combined Korg’s analog synthesizers made until then into one ground-breaking synthesizer. Although this was a monophonic synthesizer with a thick sound made up of four voices, it had a groundbreaking specification of also being able to be used as a four-voice polyphonic synthesizer, which was extremely valuable as polyphonic synths were then expensive. It was famous for having the versatility of sound creation using 4 VCO (Voltage Controlled Oscillators) combined with Polysix, such as oscillator sync and cross-modulation.

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KORG miniKORG v1.0.1 Incl Keygen



WIN | 522.9MB

The Origin of the KORG Synthesizers is Revived in Software: miniKORG 700S
At the beginning of the 1970s, many compact monophonic synthesizers appeared on the market. However, most of them were used mainly by famous musicians who could afford rare instruments or as research devices in the academic world. KORG wanted to give the average musician the chance to experience this new type of musical instrument. After much trial and error, the company’s first mass-produced synthesizer was announced in 1973: the miniKORG 700. With a simple appearance that belied its ability to produce diverse sounds beyond imagination, it charmed many musicians who loved its unique and thick tonal quality.

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