Write Your First Piece of Music In 14 Steps



P2P | 2 Hours | 492MB

Use A Free Notation Program To Learn How to Write Music
You will confidently write your first piece of music and share it with the world
Build music templates to use again and again
Create a beautiful publisher grade score of your music and arrangements and sell it
You will learn how to navigate Muse Score

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Academy.fm Creating a Huge Future Bass Track from Scratch with Sem (Ableton Live)



P2P | Sept 30 2017 | 788 MB

Watch Sem create a Future Bass song completely from scratch and ask him any questions you have about his production process

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Academy.fm How to Make Trap Start to Finish (Ableton Live)



P2P | Oct 01 2017 | 1.46 GB

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Creating a Riddim Song from Scratch with Zetta (Ableton Live)



P2P | Sept 30 2017 | 671 MB

Get in the studio with Matt from Zetta as he creates a Riddim track and answers all your questions live.

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FANTASTiC | Sept 30 2017 | 1.19 GB

Get in the lab with Ricky Remedy, one of the best upcoming trap producers in the scene! Watch him walkthrough some of his tracks and ask him any production question you have!

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Links update: 06/02/2018

In this course we talk about what you should be doing when you first start producing music. We go over many things that have helped me in the past and many more that will help you in the future. I started this Fl Studio course to see if I could make a difference in the music production and DJ community. Possibly Stopping people from using trade secrets so they can really focus on the production. This is a basic course on Fl studio which I hope everyone can learn from.

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Groove3 - UA Apollo & Console Application Explained



ilfsn | 1.7 Hours | 804MB

Studio pro Marcus Huyskens takes you on a journey into Universal Audio’s amazing Apollo hardware interfaces and Console Application, showing you everything you need to know when working with the Apollo Twin MkII and 8P, such as setting them up, routing, creating cue and headphone mixes, using multiple hardware units at once and so much more…

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Groove3 - Logic Pro X 3rd Party Plug-in Mapping with Smart Controls



ilfsn | 1.3 Hours | 599MB

Logic Pro X guru Doug Zangar shows you how to map and control your 3rd Party plug-ins in Logic Pro X! Sometimes 3rd party plug-ins don’t behave when trying to map and control them in Logic Pro X, so Doug shows you all the tricks and work arounds, enabling complete control over all of your cool AU plug-ins and virtual instruments!

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Understanding chords to improve songwriting



P2P | 30 Mins | 113MB

​Making your songwriting easier, faster and more intuitive. By learning how chords work.
Create songs by understanding which chords work best together.

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Links update: 17/12/2023

Take A Peek Under The Helmet

Exclusively on Creator Arcade, Marshmello walks you through his unique creative approach as he teaches you how to create his smash hits Alone and Summer step by step. This bundle includes over 8+ hours of exclusive content as well as curated samples, presets, stems and more.

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Lynda Learning Vocal Production Hip-Hop



P2P | Sept 27 2017 | 348 MB

Whether the lyrics in a hip-hop track are hilarious or biting, they're in the spotlight. So, it's crucial that your tracks sound clean and professional. With the right techniques, you can make your hip-hop vocals sound like a million bucks, even if you don't have pricey recording equipment at your disposal.

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Links update: 05/12/2019

In this quick Up and Running course, author J. Scott Giaquinta covers another of Native Instruments KOMPLETE components, ABSYNTH. ABYSYNTH is a powerful synthesizer that allows for almost unlimited combinations of oscillators, modulations controls, and filters—leading to some truly unique sounds. Here J. Scott G. gives a brief overview of ABSYNTH's features and main sound making components, including its modules, oscillators, filters, modulation controls, effects, and automation. Then he puts its features and sound-making abilities to work, so you can see how ABSYNTH fits into a real musician's workflow.

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Lynda Logic Pro X Making Beats TUTORiAL



P2P | Sept 27 2017 | 2.9 GB

Make yourself heard. Start making music with Logic Pro X. Author and Logic Pro insider Dot Bustelo walks through every facet of basic drum programming and beat making in Logic Pro, including choosing the right drum kit for the beat, recording, arranging, and quantizing. She shows off Drummer, the intelligent drum feature, for creating beats automatically. She then moves into Ultrabeat, Logic's built-in drum machine, and shows how to step sequence, design your own sounds, use your own samples, and create glitchy effects with the instrument. Then Dot dives deeper into making beats. She demonstrates how to make your own Apple Loops, time-stretch, quantize, and regroove audio as well as how to best add swing to your beats, fatten your sounds with drum replacement, and slice your samples. She then focuses on techniques specific to electronic music, including warping a beat with Space Designer and making DJ turntable effects with speed fades, and some retro groove tricks, including creating a human drummer feel with the Transform Editor and editing gate time. Dot wraps up the course by looking at a few more of the new beat making features in Logic Pro X, including the Arpeggiator and other MIDI plugins.

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Links update: 02/01/2019

Produce a podcast like the pros

More people than ever are turning to podcasts for on-demand, mobile entertainment and information. Podcasting For Dummies offers a fast and easy way to get the know-how you need to produce and distribute one of your very own. Written by a pair of podcasting pioneers, this book shares insight on the technology behind recording, editing, and sharing podcasts, along with tips and tricks on how to produce a pro-level podcast.

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Just Around Midnight: Rock and Roll and the Racial Imagination



English | March 31st, 2017 | ASIN: B06XNXQ29P, ISBN: 1541451406 | MP3@64 kbps | 10 hrs 8 mins | 278 MB

Rooted in rhythm-and-blues pioneered by black musicians, 1950s rock and roll was racially inclusive and attracted listeners and performers across the color line. In the 1960s, however, rock and roll gave way to rock: a new musical ideal regarded as more serious, more artistic-and the province of white musicians. Decoding the racial discourses that have distorted standard histories of rock music, Jack Hamilton underscores how ideas of "authenticity" have blinded us to rock's inextricably interracial artistic enterprise.

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