FrozenPlain Obelisk V1.1.2 Mac
AU|2.9MB
Obelisk is a MIDI plugin instrument that harmonizes input MIDI and outputs it to your synths. It is designed to be a flexible way of experimenting with chords and harmonies. Obelisk's chord picker allows you to pick what harmonies should be applied to each note. As well as this, Obelisk features an optional constraining algorithm that will ensure the harmonies fit your chosen key and scale.
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Fuse Audio Labs Complete Bundle v.1.3.0 macOS AU,VST,VST3 32&64 bits [k]
offset|macOS|Size: 176.6 MB
Fuse Audio Labs was founded in 2017 by Reimund Dratwa who has an experience of many years working for different big names in the audio business during which he created dozens of renowned analog modeling titles. It was initially intended as an engineering company that works for various partners, but it soon became apparent that it could also serve as a channel for our own ideas and allow us to pursue our vision. The same expertise that went into the aforementioned products goes into everything that we create.
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MOK Waverazor v.2.0.2 macOS AU VST 32 & 64 bits [k] [PROPER]
offset|macOS|Size: 172.4 MB
STEP OVER TO THE DARK SIDE
Unleash your dark side with Waverazor — a futuristic synth that gives you the power to splice waveforms into aggressive new sounds. The patent-pending oscillator design utilizes a new form of synthesis to produce biting leads, glitched-out basses, cinematic pads and everything in between.
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Hotone VStomp Amp v1.1.0 MacOSX Incl.Patched and Keygen
AU/VST/VST3 | TEAM HEXWARS | 17.07.2018
VStomp Amp is a new breakthrough in virtual amp software. Following the development of Hotone’s powerful and versatile XTOMP pedal and based on our proprietary CDCM system, VStomp Amp delivers organic, studio-grade sound quality and the exact character of legendary amplifiers.
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Hotone Noise Reducer v1.0.0 MacOSX Incl.Patched and Keygen
AU/VST/VST3/STANDALONE | TEAM HEXWARS | 17.07.2018
Adios annoying hum! This Noise Reducer plugin is based on the famous ISP® DecimatorTM* noise gate pedal. Like the original, the extremely easy-to-use Noise Reducer gets you smooth, ripple-free noise tracking and keeps your signal pristine.
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GSi VB3-II v.1.0.0 macOS AU VST VST3 64 bits [k]
offset|macOS|Size: 36.7 MB
VB3-II Tonewheel Organ Simulator
GSi VB3-II is the result of almost 15 years of study, research, experimentation and development of the simulation of a vintage Hammond B3 organ. It is the evolution of the GSi VB3 v1.x with a new sound, a new parameter set, endless possibilities of sound customization.
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MOK Waverazor v.2.0.2 macOS AU VST 32 & 64 bits-offset
offset|macOS|Size: 172.4 MB
STEP OVER TO THE DARK SIDE
Unleash your dark side with Waverazor — a futuristic synth that gives you the power to splice waveforms into aggressive new sounds. The patent-pending oscillator design utilizes a new form of synthesis to produce biting leads, glitched-out basses, cinematic pads and everything in between.
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Arturia Buchla Easel V v1.2.0.1396 MacOSX
AU/VSTi/VSTi3/AAX/SA | TEAM HEXWARS | 14.07.2018
The Buchla Easel V is the first recreation of Don Buchla’s iconic instrument that helped define experimental West Coast modular synthesis in the early ‘70s. Our enhancements translate to vastly expanded possibilities for sound design and avant-garde music.
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Arturia Matrix-12 V v2.3.0.1391 MacOSX
AU/VSTi/VSTi3/AAX/SA | TEAM HEXWARS | 14.07.2018
The Matrix 12 was the first programmable analog synthesizer that took the best features of a preset voice path and modular flexibility. This bold combination made it a force of nature and something that had not been seen before. It also had a 15 mode filter system that enabled it to have sounds that had never been heard before.
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Arturia Mini V v3.3.0.1391 MacOSX
AU/VSTi/VSTi3/AAX/SA | TEAM HEXWARS | 14.07.2018
In partnership with Bob Moog we recreated the legendary interface of his early 70's synth that was and is loved by generations of musicians. What truly makes this synth the Legend of Legends is its sound, and so we took great care to model the subtleties of its internal characteristics as well.
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Arturia Modular V v3.3.0.1391 MacOSX
AU/VSTi/VSTi3/AAX/SA | TEAM HEXWARS | 14.07.2018
Arturia, in partnership with Dr. Bob Moog, has brought you the synth that started it all. From Wendy Carlos's famous 'Switched on Bach' to Keith Emerson's live use, this huge modular showed that electronics could be musical thus being the catalyst for every synthesizer we see today. The towering modular synthesizer that has dominated the world of music since the 1960s has been revived!
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Arturia CMI V v1.2.0.1391 MacOSX
AU/VSTi/VSTi3/AAX/SA | TEAM HEXWARS | 14.07.2018
The CMI V is a spot-on reincarnation of the first commercially available digital sampling system in music history—the sonic powerhouse behind numerous early MTV-era megahits. We even went the extra mile and added new creative features that weren’t possible back in the day.
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Arturia SEM V v2.3.0.1391 MacOSX
AU/VSTi/VSTi3/AAX/SA | TEAM HEXWARS | 14.07.2018
The SEM module was originally made to compliment other synthesizers but later came into its own as a great sounding synth. The unique filter that allowed continuously variable operation from low pass to high pass gave it a sound that no other had. When multiple SEM's were connected into a 4 or 8 voice polyphonic system, it became a thing of beauty.
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Arturia ARP 2600 v3.3.0.1391 MacOSX
AU/VSTi/VSTi3/AAX/SA | TEAM HEXWARS | 14.07.2018
With its sound palette varying from heavy drum n' bass stabs to angular arpeggiated electro bass lines, whatever your chosen genre, the 2600 is a truly versatile sound creation tool which still takes its place at the heart of today's music.
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Rob Papen BLUE II v1.0.3a MacOSX PROPER
MacOSX VSTi/AU | TEAM HEXWARS | 16.07.2018
First released in 2005 BLUE already reflected Rob Papen’s cutting-edge, creative, and — most importantly — musical approach towards developing virtual instruments by first delivering FM and subtractive synthesis, then duly adding Phase Distortion and wave shaping synthesis into the highly creative mix to create one seriously creative combination. Rob Papen himself called it ‘Cross-fusion synthesis’ since it covered so much musical ground so effectively.
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