The pack is split into 4 tempo categories, which in turn contain 12-13 song folders. Within the song folders there is a main mix and the corresponding stems, allowing you to layer separate song parts as you wish. 

The aim of these loops and samples is to provide an added sense of realism and depth, and introduce new flavours and timbres that are impossible to obtain using electronic production methods alone. 

Volko Alaturka Drum is waiting for you, with its high quality sounds, user friendly interface and its preinstalled ready to use authentic rhythms. With only a few steps you can include your authentic drummer in your music.

•Real-time tempo change.

•900 MB 24/44.1 high quality sample library.

•10 velocity layers for every sound.

•3 drum kits:

-Gretsch - Renown Maple.

-Gretsch - Vintage Antique 1970.

-Istanbuldrums - Bubinga-Maple-Woodhoop.

•Natural and processed samples.

•36 Authentic styles.

•24 different variations and fills under every style.

•Transferring the rhythm to the server (host) program with the Drag&Drop function.

•Direct usage of any style with any drum kit instantly.

•Humanizing feature, limiter and reverb.

•Grouping mixer.

•For every channel play, Mute/Solo, velocity level, reverb, volume and 8 stereo output settings.

•With Internal BPM, usability independent from the tempo of the host program (e.g. using tempo 60 as 120).

•Ayoub-Zar, Baio, Chiftetelli.

•Churchuna, Dabkkah, Darig.

•Daza, Dishka, Fallahi.

•Fazani, Jirk, Karachi.

•Laz Havasi, Libi, Maghrebi.

•Maksum, Malfuf, Mambo Sudani.

•Masmoudy Kebir, Nubian Reggae, Nubian Samba.

•Rai, Rhumba Khaligi, Rhumba Masri.

•Roman Havasi, Saidi, Samai Thakil.

•Sudasi, Sufi, Tom Tom.

•Uncle Fallahi, Wahda, Wahrani.

•Wals, Zafa, Zorofat.

Wave Editor is THE audio editor for Mac OS X. Designed in Cocoa from the ground up, Wave Editor proudly takes advantage of Core Audio, Quartz, and other solid OS X features.

Wave Editor takes over where Spark and Sound Designer II left off — incorporating the standard audio editing features you're used to while bringing you up-to-date with the latest advances in interface design, speed and stability, without compromising the power.

Wave Editor introduces the concept of "Layers" to audio editing (patent pending). Layer portions of audio of any format, channel count, sample rate and bit depth, Audio Units and fades on top of each other, edit to your heart's content, then "flatten" your file to get a result that would have taken much longer the old-fashioned way!

No need to reinvent the wheel here. Rather than spend a lot of time and money developing our own sample rate conversion, time stretching and wordlength reduction technologies and passing those costs on to you, we decided to source the best DSP available — iZotope™.

Wave Editor incorporates iZotope's industry best 64-bit SRC™ and MBIT+™ dither. We also have incorporated iZotope's SonicFit™ time/pitch technology. This ensures that Wave Editor delivers the highest fidelity and the best value on the market.

Wave Editor introduces "SmartEdits" and the "SmartEdit List." Slice audio into sections, move them wherever you want (even between documents), assign names, colors, fades (and more) and make them work together for the most unique and flexible crossfades. If you're familiar with Sound Designer II's playlists, take the next step with the SmartEdit List.

Wave Editor was designed for the modern age. Built for broadcast and Surround applications, Wave Editor is not just a stereo editor. It is truly channel independent, truly multichannel. Some editors claim to be multichannel, but require you to "split" or "unzip" the files before you can edit them. With Wave Editor, you can edit multichannel Surround files directly without this extra step.

Great Tools

Wave Editor includes an advanced Inspector, statistical analyzer, audio processor, three advanced meters, full support for Audio Units, Bezier curve-based fades, support for MP3, AAC, FLAC, Apple Lossless, Ogg Vorbis, portable document templates and much, much more!

Special attention has been paid to making the performance controls as rich and responsive as possible, so that the instrument can be realistically played.

SaxLab is the result of many years of investigation and programming. It uses not one technology, but a very carefully balanced mixture of various techniques, to obtain the most realistic sax sound you can get from a virtual instrument. Authenticy, Expression and Variation is a must

to obtain believable sax sounds. Better test SaxLab yourself.