DA Production Universal Tribal Yamaha Modx Sounds WAV MiDi



WAV MiDi | 1.11 GB

A special gift from Daniel Azimi for Taraneh Saz users! After releasing several different and high-quality products from Daniel Azimi and their widespread reception in Taraneh Saz, Daniel has produced and released a new package called Universal Tribal Yamaha Modx Sounds for free for Taraneh Saz users.

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APU Software APU Loudness TrueGain v4.3.1 U2B Mac



AU | VST3 | STANDALONE | AAX* | 76.5 MB

TrueGain Real-time equal-loudness compensated gain control.

APU TrueGain is a gain control that preserves perceived tonal balance as you move level up or down-ideal for automation, print levels, and quick translation checks. “Compensated Gain Control” presets apply ISO 226 (2023/2003) or Fletcher-Munson FIR contours so turning the gain doesn’t thin out the lows or hype the highs. “Translation Check” presets simulate different listening levels without touching your monitor volume. Choose linear or minimum phase, set smoothing to avoid artifacts, and use the built-in analyzer for visual confidence. Optional SPL calibration aligns the model to your room or headphones for even more accuracy.

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APU Software APU Loudness Limiter v4.3.1 U2B Mac



AU | VST3 | STANDALONE | AAX* | 39.7 MB

Limiter True-peak-safe limiting with LUFS control.

APU Loudness Limiter is a true-peak brickwall limiter for mixing, mastering, and post. Drive the detector with LUFS (Momentary/Short-Term/Integrated), RMS, Peak, or True Peak, and even target LUFS and dBTP simultaneously to meet streaming/broadcast specs. Look-ahead, program-dependent ballistics, linear/standard attack and release, delta auditioning, and channel link/split deliver transparent loudness and peak control. New detector weightings (ECMA-418, ITU-R 468, A/C) tailor response to psychoacoustics or legacy standards. Delivery presets (Spotify/YouTube/Apple, EBU R128, ATSC A/85) get you compliant fast.

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APU Software APU Loudness Optimizer v4.3.1 U2B Mac



AU | VST3 | STANDALONE | AAX* | 8.1 MB

Optimizer Real-time loudness-targeted compression.

Meet a different kind of compressor. APU Dynamics Optimizer looks at the entire file first, then applies a program-dependent gain envelope so your mix lands exactly where you set it-average LUFS and dynamics included. Work in LUFS (Momentary, Short-term, Integrated) or classic RMS/Peak/True Peak, shape the output with uniform or bell-curve distributions, and refine the feel with familiar attack/release and knee controls. A built-in look-ahead limiter keeps True Peak in check while you audition changes in real time. With optional detector weightings (ECMA-418, ITU-R 468, A/C) and flexible channel linking, it’s a precise, transparent way to control macro and micro dynamics for mastering, broadcast/post, and long-form content.

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APU Software APU Loudness Compressor v4.3.1 U2B Mac



AU | VST3 | STANDALONE | AAX* | 39.5 MB

Compressor Real-time loudness-targeted compression.

APU Loudness Compressor is a perceptual dynamics processor that works to a loudness target, not just peaks. Its LUFS-based detector (momentary, short-term, integrated) delivers transparent, level-consistent compression or expansion, while a unique Source→Target mode maps the input loudness range into the range you want-so you set the goal and the processor does the rest. When you need classic behavior, switch to RMS or Peak detection. A built-in true-peak limiter with lookahead prevents overshoots, sidechain support handles ducking, and alternate detector weightings (ECMA-418, ITU-R 468, A/C) let you tune the response. Multi-channel aware and Atmos-friendly, it’s ideal for mix-bus leveling, dialogue control, and hitting streaming/broadcast targets with minimal fuss.

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APU Software APU Loudness Meter v4.3.1 U2B Mac



AU | VST3 | STANDALONE | AAX* | 38.2 MB

Meter Standards-compliant loudness & true-peak metering

APU Loudness Meter is a BS.1770/EBU R128-compliant loudness and true-peak meter for music, post, and streaming. It provides M/S/I LUFS, dBTP true-peak, plus RMS/peak, with both time-history and live histogram views for trend and macro-dynamics. Meter program-linked or per-channel from stereo to surround/Atmos, and load delivery targets or auto-learn from program material. One of the key features of this meter is its support for a variety of loudness types. You can also choose to split or link channels, which is particularly useful for multi-channel audio formats such as Dolby Atmos®.

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APU Software APU Loudness Contour v4.3.1 U2B Mac



AU | VST3 | STANDALONE | AAX* | 56.5 MB

APU Loudness Contour is a real-time equal-loudness filter that offers precise control over a wide range of perceptual loudness contours, including ISO 226 (2003 & 2023), Fletcher-Munson, K-weighting, A/C-weighting, ECMA-418, and ITU-R 468.

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Reverb Machine Chroma Campfire Boards of Canada Synth Presets Arturia Pigments and Analog Lab Presets



Arturia Pigments and Analog Lab Presets | 200.23 MB

Chroma Campfire is a nostalgia-filled preset pack for Arturia Pigments and Analog Lab, deeply inspired by the distinctive soundscapes of Boards of Canada. This collection includes 80 meticulously crafted presets that both recreate some iconic Boards of Canada tracks and offer new sounds influenced by their unique style.

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Udemy Everything About Cubase! Step by Step Masterclass (+ Nuendo) TUTORiAL



TUTORiAL | 6.4 GB

DISCLAIMER: This Course will NOT make you a pro overnight. But it'll get you in the right direction. Becoming a pro requires consistent practice and passion. If you have that, eventually, also thanks to completing this course, you will make it. You have my full, thoughtful support. Alright letsgooo!

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Alter Amp Works TYLR HM30 Tonex Capture pack



Tonex Capture pack | 496.35 KB

This Tonex Capture pack aims to recreate the sound of the HM-30 from Tyler Amps.
The famous DC-30 but…better? A few years ago this was exactly the mission that Tyler Amps set out on and we think they did a pretty fantastic job. The Matchless DC-30 is no stranger to the spotlight; its majestic and bright chime combined with its impressive ability to break up and never become harsh earned it the god-tier status in amp lore that it deserves…but it always lacked one thing… a little bit of body. Enter Tyler Amps. By recreating the famous Matchless Sampson-Era circuit (with a few of their own tweaks) and pairing it with their own custom-designed speakers, Tyler was somehow able to take the renowned DC-30 and make it better by allowing the same chime and smooth breakup but giving it some bottom end. In this capture pack, you can grab all of the amazing tones that this amp produces on both the 12AX7 channel and the EF86 channel as well as have the channels jumped!

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